New Year's Bonus Post
this kid
actress Maria Schneider (of Last Tango in Paris fame*)
*You can't imagine how difficult it was to find a close-up photo of her face.
There has been much eating and drinking and celebrating of late at the Trattoria Breve. 'Tis the season.
The other day I ate (most of) a lobster the size of a small country, with melted butter served in a small soup bowl:
Today I am feeling guilty, not just because of my fine crustacean friend there who nobly gave his life so that I might eat shellfish, but because I am blogging and am safe and warm and fully fed while the majority of the world grapples with obtaining clean water, and because I am still feeling exhausted.
Ty and I turned down an invitation for tonight that would have guaranteed us a succulent dinner and entertaining conversation courtesy of some old friends. We just can't do it.
Right now, an ideal day for me would consist of never getting out of my pajamas, never making the bed, not worrying about bills or savings, not tracking my ovulatory cycles, not answering the phone, not grooming myself in any real way, or applying makeup, or even changing my socks, and making French toast while watching either Lifetime or one of those shows on VH1 or E! that consists of lots of little entertainment clips interspersed with minor celebrities mugging for the camera.
My second choice, oddly enough, would be just to spend a normal, quiet day chipping away at my mountain of work, interspersed with some blog-reading, stretching, and breaks for tea. Surprisingly enough, I actually like my work, much of the time. I will most likely get this wish sometime after the New Year, when the partying tapers off and ordinary time resumes. By then, of course, I will long for festive Christmas dinners and events that take me away from the rut of everyday life.
This year, I think my New Year's Resolution will be to make peace with mild discontent, to appreciate my many blessings, and to recognize grass-is-always-greener dissatisfactions as the normal ebb and flow of life that they are.
Happy New Year, Everyone!
Ty took this gorgeous photo of McHale's last Friday night. We wanted something to remember it by.
Because McHale's is closing in January.
Inside, you'd never know it but for some farewell graffiti on the wall from its uniquely varied patrons--cops, investment bankers, firemen, Broadway dancers, law students. This past Friday our group of 6 waited over two hours for a table in the dining room. No one wants to leave McHale's.
Its burgers are the best I've ever had. Thick, juicy, huge. In a town with $12 martinis (and a neighborhood with a standard tourist mark-up), bacon costs an extra fifty cents. Every time period collides inside McHale's. The art-deco etched glass lettering on the windows reads "Gaiety Cafe," from a time when that meant something different. The '70's-era wood paneling in the dining room reminds me of a friend's description of our college bar: "It's as if Greg Brady designed a sex pit." The lamps at the wonderfully circular wooden booths have old-fashioned double-pronged plugs. I fancied that the baseball bat in the ladies' room had been thoughtfully placed there for old-fashioned Brooklyn-style self-defense, until C.S. pointed out that it was anchored to the sink for support.
It is a divey bar where single women feel comfortable, yet men are still men. Busloads of tourists flock to the overpriced restaurants in its immediate vicinity, but nary a one ventures inside McHale's. There is a refreshing absence of silicone and pretense. Outside, you can cross the street and choose between pornographic DVD's and "I Heart NY" t-shirts.
I've been to McHale's as a single young student, accompanied by men who were not my husband. I've been there with my brother and my parents, who sipped beer and contentedly recalled their old college hangout, reveling in the circularity of life. I've been there with my husband by my side, squeezing my knee, a young married couple enjoying one of the few inexpensive meals in the Theatre District. I've been there with friends, sharing the few remaining seats at the bar. I've been hit on there while pushing thirty and feeling my age. When it closes, part of my youth will slip away with it.
Cheers, McHale's. Thanks for it all.
My mouth was watering as I laid out le pere, i pepi, il rosmarino, la cipolla, i funghi, l'agnello, e l'aglio per il foto (I don't know the word for "butternut squash" and am too busy to look it up). Being Italian-American has had a tremendous impact on my enjoyment of food.
One evening last week, while I was home for Thanksgiving, my parents and I sheepishly discussed whether we would watch one of our favorite films, Goodfellas. Its filmmaking merit is without question. The script is superb. The "hostess party" scene, in my opinion, could singlehandedly inspire a "Best Scene" category at the Academy Awards.
But, you know, there's that whole violent-and-tacky-Italians stereotype. The tackiness bothers me more than the violence, because I occasionally feel driven to inflict grievous bodily injury--when I've tried 8 times, unsuccessfully, to upload a simple photo to my blog, for example. But look at what my people eat for dinner and tell me that we're tacky.
My parents, Goodfellas aside, have virtually zero tolerance for mobster depictions of Italians in the media. They write letters and participate in Italian cultural organizations. I used to be similarly strict, but I've loosened up a little bit. When you realize that you're laughing at Groundskeeper Willie's antics alongside your Scottish husband, you start to apply the same standards to your own ethnicity.
There's been a lot of back-and-forth about The Sopranos and the way it depicts Italian-Americans. I recall once being singled out in a group, as an Italian, and being asked to defend my position that The Sopranos depicted Italians negatively. When the show first became popular, I think a lot of people took the public position that it didn't depict Italians negatively because they enjoyed the show and didn't want to think of themselves as racist or biased, or even just participants in a cycle of making and enjoying ethnic humor.
So, I believe that The Sopranos does depict Italians negatively. I also believe that it's OK to enjoy the show; I just wish we could acknowledge it for the guilty pleasure that it is. Maybe some ethnic humor can be acknowledged, discussed, and enjoyed? This would involve a collective ability to identify and appreciate ethnic humor while also discrediting it to some extent. That is difficult. I wonder if it's even possible in our mainstream society. I also wonder if it's only possible with certain groups. I do think that some of the more edgy and interesting contemporary artists and pop culture icons acknowledge this tension between enjoyable mocking and respectful reverence.
The dinner was delicious.